Celebrate 40 Years Of Mardi Gras With This Fabulous Inflatable Art Installation
- Sun Jun 24 - Mon Sep 24 2018
A new inflatable art installation will take pride of place at Taylor Square to mark four decades of the Sydney Gay and Lesbian Mardi Gras and cement the precinct’s place in its history.
40 Years of Love, which its creators describe as a “big, bold and sassy artwork based on concepts of public protest, joyous celebration, community activation and engagement”, was announced as the winner of the Taylor Square Public Art Project by Lord Mayor Clover Moore.
The project winner, launched by Sydney Gay and Lesbian Mardi Gras and proudly supported by the City of Sydney, is designed on a large triangular aluminium truss that rises above the existing grass island and water fountain to transform the space into a light-ﬁlled pavilion.
The installation, by artists Matthew Aberline and Maurice Goldberg from art studio Goldberg Aberline Studio (GAS), invites those passing by the historic Darlinghurst precinct to stop, stretch out on the grass to view its complex detailed work, and ponder the Mardi Gras story.
“The Yes Campaign proved that Taylor Square was still an important meeting place for the LGBTQI community,” said Aberline and Goldberg.
“Our artwork re-invigorates the Square as a focal point and meeting place, reminding us we have plenty to celebrate.”
40 Years of Love will be unveiled on the anniversary of the first Mardi Gras on Sunday 24 June, 2018, and be installed for three months.
To celebrate the 40th anniversary of the Sydney Gay and Lesbian Mardi Gras, the Sydney Gay and Lesbian Mardi Gras called for expressions of interest from artists to create a temporary public artwork.
Mardi Gras CEO Terese Casu said “The Taylor Square Public Art Project’s aim is to create a temporary piece of art that helps celebrate the defining moments shared over the last forty years of Mardi Gras, in an iconic location for the LGBTQI people of Sydney.”
40 Years of Love “examines the themes of repression, adversity, freedom, diversity and equality” and was inspired by queer artists like Peter Tully, Brenton Heath-Kerr, Ron Muncaster, Keith Haring and Pierre et Gillesaid Aberline and Goldberg.
“With the work’s vibrant energy and complexity, we share that Mardi Gras isn’t a singular thing but a cacophony of diverse ideas, people, histories, politics and expressions.”
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